Alison Seed is a dedicated easel paintings conservator based in Hampshire, with a passion for safeguarding the legacy of art. Her journey in the world of art conservation is characterized by a rich tapestry of experiences and expertise.

With a studio nestled in Hampshire and collaborations with private studios across the South East of England, Alison’s dedication to her craft extends far and wide. Her journey began with her postgraduate diploma in the Conservation of Easel Paintings from the Hamilton Kerr Institute, University of Cambridge, and she has worked on prestigious projects for national museums and institutes, as well as private owners of paintings.

Alison’s career has seen her working with private clients and esteemed institutions. She honed her skills during internships at the Guildhall Art Gallery in London and the Southampton City Art Gallery. Her expertise was further enriched during her tenure at the National Museums Northern Ireland, contributing to the refurbishment of the Ulster Museum.

Alison’s dedication goes beyond the restoration of artworks. She has lent her expertise to data work concerning conservation and access for the National Trust. Additionally, she has conducted enlightening conservation training sessions for organizations like the Museums Association and Maidstone Museum, Kent.

Alison’s interests within conservation span a wide spectrum. From delving into artists’ methods and materials to the intricate world of gilding within artworks, she brings a wealth of knowledge to her projects. Her commitment to fostering public engagement with conservation reflects her dedication to preserving the beauty and history of art for generations to come.

Alison Seed’s journey is a testament to her unwavering commitment to art conservation, ensuring that the artistry of the past endures into the future.

• Spotlight on Conservation: Featuring recent projects by conservation interns at the Guildhall Art Gallery in 2009/10.
• Painting Gets Special Treatment: Showcasing Larry Wakefield’s ‘Untitled (Black with Yellow and White),’ circa 1970, at the Southampton City Art Gallery in 2009.
• Mission Impossible: Ethics and Choices in Conservation: An exploration of conservation ethics and choices at the Fitzwilliam Museum in 2004.

• Accredited Member of The Institute of Conservation (ICON): Achieved in 2011, showcasing a commitment to excellence in the field.
• Postgraduate Diploma in the Conservation of Easel Paintings: Earned from the University of Cambridge, Hamilton Kerr Institute, spanning from 2004 to 2007.
• BA Joint Honours in Art History/English Studies: Completed at the University of Nottingham from 1998 to 2001.